Cultural Economy

Workaround: In current version of Panels 3.8, it seems this body field needs to be populated in order for title above to appear. This note is hidden by custom CSS style. Jack Latimer.

Overview

  • Cultural economy is a new approach to a field of inquiry hitherto dominated by mainstream economics and political economy. Mainstream economics offers a technical inquiry into the economy conceived as a sphere of instrumentality driven by the predictable rationality of calculating subjects. Political and cultural economy shift attention to the mediating and constitutive structures and relations which complicate and animate the creation and direction of markets and hierarchies. The difference is that the established forms of political economy theorise social embeddedness and the role of collective social actors like social classes; whereas the newer kinds of cultural economy focus on how discourse and cultural practice constitute the spaces within which economic action is formatted and framed.

    These differences matter because heterodox economics can generate a new, critical understanding of present day capitalism. Political economy has classically done this by generalising about the stages and forms of capitalism, whether in the form of a post war Fordist regime of accumulation or via the more recent opposition between Rhenish and Anglo Saxon capitalism. Some cultural economists have tried to do something similar by proposing an epochal understanding through slogans about the rise of the network or knowledge society. Theme 1 cultural economy researchers believe that such epochal generalisations run ahead of the evidence and instead propose to deconstruct the projects of reform through more private sector management and marketisation which have dominated political agendas since 1979 in Britain and the United States.

    The rhetoric of market economics and the narrative of private sector management have become increasingly important over the past 25 years as politicians of all parties have sought to extend the sphere of market competition and give corporate management a leading role. The political hope is that this mix of market and (private sector) management practice will deliver productive dynamism and consumer choice as long as social responsibility is enforced through regulation and governance which protects consumers and ensures managers act in the shareholder interest. The mixed and contradictory British results include massive re-regulation through agencies such as the Financial Services Authority and disastrous privatisations such as rail while, for that matter, private sector productivity continues to lag amidst continuing debate about public service provision.

    From this point of view, theme 1 mobilises researchers with a range of expertise from numbers based business analysis to anthropology who can investigate outcomes as well as narratives and identities. They have developed a series of related inquiries into the major issues around private sector management and public sector reconfiguration which interrogate the public claims and assumptions of those who claim that more and better management in a market framework is the solution for our social problems and the key to improved performance.

    What we have done so far

    The scientific programme promised work on three interrelated sets of issues about the changing culture of expertise, the dynamics of cultural production and consumption in relation to social divisions, and the growth trajectory of the knowledge and cultural industries. In addressing these issues we chose to focus on finance rather than the cultural industries. Theme 1 was therefore well placed to publish pioneering academic research in relation to the social panic on Private Equity, and to present an analysis of the background to the ‘credit crunch’. The achievement of this theme has been to develop an integrative account of ‘running the cultural economy’ which highlights the tensions in financialized capitalism between the powers of intermediary elites and the masses. It also emphasises conjunctural complexities in which there are competing and conflicting logics of change in evidence.

    We produced a distinctive non-epochal account of the financialization of present day capitalism which, unlike earlier rentier capitalisms, depends on mass savings and investment (Froud et al 2008). We have researched how multiple logics work through many hierarchies and divisions and have shown why the differentiation of culture and economy is unsustainable, as can be seen, for example, in the outsourcing of IT service centres where issues about process standardisation were as important as cost savings, or in the ways in which financial flows and asset values have to be visualised through specific screen software in the financial markets. We have developed revisionist accounts of institutions and their effects which reinforce the current tendency to reject ideas about institutional coherence and complementarity. In a broader social perspective, our work on the democratisation of finance shows that financialized capitalism runs on broken promises for the masses and predictable beneficial outcomes for elites and that increased financial literacy will not deliver security for all.

    We focus on a of linked questions which allow us to question taken for granted assumptions about private sector management and markets and to explore what it means to run a cultural economy:

    1. The limits of management

    If private sector management has been empowered by structural reform and the packaging of transferable management practice by consultancy, what are the consequences for the capacity of the corporate sector to generate "shareholder value" and/or pay top management much more?

    2. New public management?

    What are the implications of the new styles of public management for the democratic political process and for the values of transparency and accountability? More specifically, what has been lost through the attack on traditional public service and gained through new forms of public private partnership?

    3. Markets and the formatting of economic subjects

    To what extent does the quasi- marketisation of everything through purchaser/provider splits, futures markets etc format knowledge so that subjects can and do behave appropriately. This open question applies to experts in the financial markets as much as to ordinary households choosing between complex financial products.

    4. New economy?

    More than 5 years after the stock market bubble burst in spring 2000, it is time to review the 19900s in retrospect. So we can now ask what was ephemeral about the new economy madness of the later 1990s and whether fundamentals like the corporate form and labour process have been permanently changed by diogital technologies?

    5. New elites

    How have new business and cultural elites been created and empowered by public and private economic restructuring?. How have the relations between wealth, power, visibility and position at the top of major organisations changed in the past generation. And what does this imply about social cohesion?

    The result is a cultural economy view of present day capitalism which recognises diversity because all the changes in access to capital, assets and resources over the past 25 years do not have one simple logic for work, ownership and citizenship as various social groups move along different trajectories. But, cultural economy also highlights macro process issues around financialisation and the growing influence of the capital market on firms and households over the past 30 years. Many of our inquiries explore this theme of capital market influence in different ways both in terms of the consequences for corporate behaviour and calculation in the space created by the rhetoric of value and the consequences for household behaviour and calculation in the absence of functional financial literacy. All this plays against a background of increasingly uneven distribution of income and wealth.

    Theme organisation

    The work of the theme will be developed via three projects, each of which will comprise a number of inquiries, with an integrative fourth project examining common concerns arising from the other projects. Follow the links to the left to view a summary of each project. 

    Theme Convenor: Karel Williams (karel.williams@manchester.ac.uk )

    Theme Researcher: Johnna Montgomerie (Johnna.montgomerie@manchester.ac.uk)

Projects

Below is a list of the projects run by this research theme. Click on the title of the project for more information.

  • How has giant firm strategy in the UK and USA changed after financialization under stock market pressure for shareholder value? The book Financialization and Strategy (Routledge, 2006) provides a...

Publications

Below is a list of the publications produced by this research theme.

People

Below is a list of CRESC staff working on this research theme.

Events

Below is a list of the events organised by this research theme.

News

Below is a list of the news items associated with this research item.

  • Sun, 26/02/2012

    Charisma: Consumer Market Studies

    Charisma goes live!

    Charisma is a newly launched site which is a companion project to CRESC and the Journal of Cultural Economy and aims to act as both an international network and a resource hub for academics, policymakers and practitioners interested in how consumers, finance, institutions and devices interact in markets.

    Charisma's approach to consumer market research is  robustly interdisciplinary  since we believe that properly understanding the mix of devices and desires that drive markets means being open to experimental, visual, digital, as well as more traditional techniques, methods, theories and perspectives. The site is divided into four areas, broadly expressing the interests of network members: 

    It also hosts a range of contents from working papers and announcements to photo galleries and data visualisations.